The Tingology’s Jiu Jing Mo Shui Hua Ke Cheng feels like entering a world in which tradition meets innovation. This is not a typical art course; this is an adventure into the subtleties, nuances, and uses of ink and paper. Let’s discuss some advanced techniques to make this course unique. Check out more bonuses from our painting classes.
First of all, let’s first talk about “wet over wet.” Imagine painting with a wet piece of paper. The ink spreads as if it were wildfire and creates dreamy scenes or abstract wonders. It’s unpredictable yet thrilling! This technique calls for quick thinking and a bit of courage. It’s perfect for those that love chaos.
Dry brush is another option. In this case, the brush is barely dipped, which allows for rough textures, and fine lines. Imagine drawing with ink. The key is control and precision. It can be both rewarding and challenging. If you have ever wanted to capture delicate veins or intricate details in fur or a flower, this is the method for you.
Have you heard about “splashing?” Imagine yourself indulging in a wild fling of ink onto the paper. This is messy but liberating. The splashing will give your work a sense of spontaneity, energy and vitality.
Another gem in this course is “Layering”. Multiple layers of ink can be used to create depth and complexity. Each layer of ink adds to the intrigue and complexity. This technique requires patience, but it results in stunningly intricate artwork.
Also, “negative space” gets its due. Think about what you have left out instead of only focusing on what your painting is. Negative spaces can help create harmony and balance within your composition by making your subject standout against an empty background.
Not to forget the “gradation”! This is a smooth transition between dark and light tones in a single stroke, or even across the whole piece. Gradation will add dimension and realism into your paintings. For example, imagine sunsets fading to twilight.